I am working with strings at present and have added my articulations in Cubase in the project folder in a folder called express maps because the instruments with KS beside them can be linked this way. The articulations in the sound work no problem.
However I am a string player and I am slightly confused as to the naming terms in this piece of software because some don’t match those I know ie Detache 0.3, 0.6, 1.99, 2.0 and 3.5. These terms and how they apply to the score don’t make sense. I am assuming detache is meant to be like a detached note or a whole note slurred into a note with a staccato on it.
Sustain A, B, Fast, Slow etc.....these again don’t match with what I know.
However some of the more important articulations such as
Accent
Tenuto
Temello 1 bar and 2 bar
Stactissimo
In Cubase you have endless articulations you can add to a sound. I am trying to add these as separate articulations below C1 but ran out of time at A-1 to see what effect that this had on the note. Does any one from IKMM know of any reason as to they have used articulations that don’t bear resemblance to normal orchestration .
Another one is
Staccato 1
Staccato 2
Staccato 3.
What does this mean?
In Cubase you have 3 definitions of short notes Tenuto, staccato and stactissimo. Do these relate to to these lengths? Cubase seems to have the access to about 50+ articulations that don’t exist here. DAWs seem to be much the same I have seen from the pictures of them.
I am putting together a list of expression maps for Philharmonik 2 to use in Cubase 10.5 above. And will pass onto admin here and at Cubase to add to the ones that exist.
But it does seem to be confusing as why completely different names were used except the Italian ones that most of us are used to seeing as IKMM is an Italian company.
Sorry one last word on this TechRadar webpage seems to make some to reference of SW and MWin addition to KS. Anyone come across this and how to use these inside Cubase?
Regards
David