Peter_IK wrote:Yes and unless a mix engineer has access to the AmpliTube 5 plugin and your instantiation of it, they can't pull the "mute the bass amp (and that hi-hat mic)" trickery on you!
Peter_IK wrote:Just teasing. I'm prone to just mute 99.9% of the hi-hat mics I've encountered over my lifetime but bass amps blended with DI can be bliss.
"This is the way."
Actually, even in commercial recordings, I often find the hi-hats are crazy loud. What's going on there? While I happily use the built-in "Drummer" feature in Logic for messing around or even in full-recordings, I am always turning down the hats in most any of the built-in kits.
I have occasionally got a perfectly useable bass tone out of just AT in a mix (mostly by accident, I think!), but more usually I've blended DI with some kind of distortion from one of the amp models (often a guitar amp model). I could kind of do something similar in AT4, but not so effectively. Of course, AT5 doesn't let me do everything I can do in a full DAW mixing situation, but it does let me get a lot closer. I would think this might be a real boon to anyone using AT for bass in a live situation, too.