[Mod edit: split from the Official Hammond B-3X Wish List!, for discussion first]
B-3x Sustain Pedal Action: I realize, Hammond (and Hammond purists) want to retain the 'realism' of the Hammond play/feel; and, having acquiesced to even allowing ANY kind of pedal sustain was a huge concession on the part of Hammond. However, moving the Hammond sound/experience into a Midi/Keyboard/Digital environment inherently changes the rules, so-to-speak.
One could say: the real Hammond has no "sustain pedal" at all, so, why include that feature in a digital/midi/keyboard world? Fair enough: But, then...why allow the B-3X to respond to a pitch bend wheel? Why allow it to respond to a transpose function? The logic employed should be: this wonderful Hammond tone should be experienced by all musicians, in any setting and in digital/keyboard setup, and subject to the fullest extent, of the skills, styles and methods of the musician, and the hardware they use. Let the musician decide how "authentic" the hammond B-3x should feel.
For myself, I layer the Hammond sound beneath my piano. I rely extensively upon being able to hit and hold a hammond chord, leslie screaming, sustaining with my foot pedal, move quickly to a different zone of my keyboard for a piano rift, then return my hand to the hammond chord I left behind, and pickup the organ run from there.
Currently, the B-3x leaves my playing very, very choppy, since, when I return to the hammond chord which I left sustaining with the screaming leslie, and release the sustain pedal to continue to the B3 rift, even if my hand is placed back on the sustained chord, the tones disappear/cut out suddenly, leaving a big hole in the musical idea I had.
This will make the B-3x ineffective for my style of play. Please consider these thoughts, and logic, as I have finally found "the sound" of a digital Hammond clone that I've been longing for! I just cannot use it live as currently released.
Thoughts, anyone?