livesforrap wrote:The yellow one simply named "overdrive" is also there.
Peter_IK wrote:fiveblairs wrote:Here's a pedal conspicuous by its absence. How about adding the BOSS OD-1 overdrive?
Satch Overdrive is based on an early-80s Japanese-made OD-1
fiveblairs wrote:Peter_IK wrote:fiveblairs wrote:Here's a pedal conspicuous by its absence. How about adding the BOSS OD-1 overdrive?
Satch Overdrive is based on an early-80s Japanese-made OD-1
How in the world did I miss that??? Thanks Peter! Now if you could get the powers that be working on the Dr. Robert and Windmiller from Aclam, that would be awesome!
fiveblairs wrote:Peter,
I figured out the problem. Can find the Satch Drive in Custom Shop if I search for it by name. However it doesn't show up on the Distortion page in Custom Shop. You may want to have the programmers look into that.
Tracy
brillstereodeck wrote:Colorsound Octivider
Colorsound Supa Tone Bender
brillstereodeck wrote:Echo Plex EP3
Roland Space Echo (within AmpliTube)
brillstereodeck wrote:Roland Jazz Chorus 120 Amp.
Peter_IK wrote:fiveblairs wrote:I figured out the problem. Can find the Satch Drive in Custom Shop if I search for it by name. However it doesn't show up on the Distortion page in Custom Shop. You may want to have the programmers look into that.
I sent in a note, thanks. I found it correctly placed in the Distortion category in AmpliTube 5 itself but not in Custom Shop 2.
carlaz wrote:Peter_IK wrote:fiveblairs wrote:I figured out the problem. Can find the Satch Drive in Custom Shop if I search for it by name. However it doesn't show up on the Distortion page in Custom Shop. You may want to have the programmers look into that.
I sent in a note, thanks. I found it correctly placed in the Distortion category in AmpliTube 5 itself but not in Custom Shop 2.
This may be because it is the "Satch Overdrive" in the Custom Shop (and AT5) and, if you search for "satch drive", it doesn't show up (though arguably it would be more useful behavior if it did!). You have to either search specifically for "satch overdrive" or just "satch" (or just "drive", actually, though this returns too many results to be very useful!).
stevehunt18 wrote:Another Treble Booster that isnt the Brian May one... when using an electric 12 string, to get a sixties jangly sound, I use a compressor into a treble booster, but with the boost turned down very low to get just the signal to cut through in the context of a mix and I find the Brian May one just a bit too binary, on/off and when its on, its a bit too harsh.
Is there any other Treble Booster that the team could put into the Custom Shop, apart from the Brian May one?
Otherwise, AT5 is a great product. I dont use anything else these days, it does pretty much everything and its great to see Trace Elliot amongst the bass amps as well. Very very happy with it.
n2mpujack wrote:stevehunt18 wrote:Another Treble Booster that isnt the Brian May one... when using an electric 12 string, to get a sixties jangly sound, I use a compressor into a treble booster, but with the boost turned down very low to get just the signal to cut through in the context of a mix and I find the Brian May one just a bit too binary, on/off and when its on, its a bit too harsh.
Is there any other Treble Booster that the team could put into the Custom Shop, apart from the Brian May one?
Otherwise, AT5 is a great product. I dont use anything else these days, it does pretty much everything and its great to see Trace Elliot amongst the bass amps as well. Very very happy with it.
Dallas Arbiter Range Master was the go-to treble booster stompbox from the 60's.
As far as the booster in the May package your description of it is a lot like some other IKMM plugin emulations. Close but no cigar. The Mutron III emulation is way too bright and requires a way hotter signal to do anything and then you're defeating the purpose of the envelope follower. As to would say "binary".