^^^^
Cool!
Yeah, actually, after making that post, I was also thinking, "Huh, maybe I should try the Black 76 on the DI, and then the White 2A on the master bus ...?" Basically, I was really thinking that the attack on the Model 670 might be a little faster than I wanted on the master (though a fast attack from the Black 76 ... or even the Model 670?) might be just the thing on the DI.
For this kind of thing, I really want to totally
smash the DI low-end, so that there is just always this super-consistent foundation of quite clean lows that are
always there -- even when playing the higher strings, or going up the neck, or whatever. Then the higher frequencies can be a little bouncier (though they can also get a little compression from first the amp model itself and then also in the master bus, at least).
Technically, I think the routing options would let one have even further signal paths, so one could actually carve up the EQ to have separate treatments of more frequency bands. This is the kind of thing that mixers do in their DAWS, but AT5 has the options to get similar effects directly in the plugin/standalone app.
I haven't played with the new Aguilar amp, yet, so that should be fun.