squeezenor wrote:Just another friendly reminder that we need a second orange collection.
There cannot be too much Orange!
squeezenor wrote:It's love to see an old/weird/funky collection, too. Ampegs, supros, silvertone, gretsch/valco, Watkins, Selmer, whatever.
Besides "weird, old" amps, there are also "weird, old" effects from many of these "forgotten" makers; e.g., the Watkins Copicat tape delays. I would love to see some Colorsound stuff ... and the classic A/DA flanger ....
squeezenor wrote:I'd love some more monster sized cabs.
Marshall #1979 4x15 cab! Just sayin' ....
I would not object to more cabs/speakers of all kinds. Although I do sometimes use 3rd-party IRs now that the IR-loader exists, I don't really like the IRs that are piles of different mic placements and combinations, since ... well, I think AmpliTube does that pretty well.
I think the Cab Room is still sort of AmpliTube's secret weapon (though I am not sure whether a lot of beginning users don't find it intimidating -- much as mic'ing actual cabs would be!)
squeezenor wrote:I don't really use the dirt pedals much, but no klone, blues driver, Timmy, horizon od and more seem like oversights. Maybe update the boss pedals with their new waza counterparts. I'd love to see the official pedal lines from Wampler, Trex and friends expanded. Maybe reach out to new brands. Might be cool to see more "higher end" "boutique" stuff.
Some of the older pedal models could well do with a refresh. I don't actually use the Overscream (i.e. Tube Screamer) so much, but it's a standard studio tool for shaping guitar tone. I do like some of the other fuzzes and more extreme dirt pedals, like the Big Pig (i.e. Big Muff), though I've always felt that model was a little odd (and, besides, we need multiple models of different versions of the Big Muff!
)
The modern "boutique" pedal market is so huge that IKM could release dozens of models of contemporary pedals and still hardly scratch the surface ... though I won't object if they make the effort.
Still, I think a twin strategy of trying to ensure that both really common types of pedals are well represented, and then some "left-of-center" things. (Not necessarily completely weird effects that no one knows what they're for
but different takes on well-used stuff. Like, we have two versions of the Fuzz Face already: they sound different. We have some Echoplex-type tape delays, but other makes of tape delays and "disc" delays [yes, I'm talking about that Echorec!
] sound different, etc.)